Roger Waters has released his first new album in ages, and after a week and a half we’re finally able to ramble something moderately coherent about it. Here goes. Continue reading
For all Ulysses does right on #eMotion (and they do a lot of things very right indeed), they do start out with what might be the most annoying opening riff I have heard in a very long time. It’s almost annoying enough to turn the album off and do something else. Almost. Because if you did, you’d miss out on an hour of extremely good progressive metal.
Disclaimer: I came dangerously close to dismissing Rattle that Lock as an overwrought, pompous, meandering mess. I had seven hundred words written on how I vehemently disliked David Gilmour’s new, and fourth, solo effort. Then I gave it one last spin, just to be sure. And I’m glad I did.
Obligatory clickbait-y intro: in case you’ve been living underneath a rock, there’s a new Iron Maiden album out. It’s called The Book of Souls, sports 92 minutes of new music and it’s the first they’ve put out in five long years. I know if it’s good or not, and I’m telling you after the cut.
When Pink Floyd, or rather David Gilmour and Nick Mason, announced to the world that they were going to release a new album, made up of what was left behind on the cutting room floor back in 1994, my response was lukewarm at best. Fast forward a few months and The Endless River has finally been released, shattering sales records everywhere. But is Pink Floyd’s swansong worth the hype? Let’s find out. Continue reading