King Krule – The OOZ

The OOZ is Archy Marshall’s, AKA King Krule’s, third album which recently has been put out on the True Panther Sounds label. On The OOZ King Krule again finds a nice balance between the elements of punk, jazz, darkwave and trip hop. Continue reading

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Sounds from the Dark Side top albums of 2017 (until now)

the_dark_side_of_the_moon toplist 2014

Time flies when you’re having fun so let’s saw 2017 into half… Continue reading

The Necks – Unfold

the-necks-unfoldBegin at the beginning,” the King said, very gravely, “and go on till you come to the end: then stop.” Oh right…, I am not really referring to the court of justice from Lewis Carroll’s Alice’s Adventures in Wonderland here. The quote stands for how to approach the latest work of The Necks which sooner or later will take to Wonderland. Are you ready to jump into the rabbit hole?   Continue reading

Jameszoo – Fool

Jameszoo - Fool_FRONTEarlier this year I briefly mentioned Jameszoo’s naive, computer jazz record Fool but never got to opportunity to give it a proper review. Nicely enough you’re in luck today, so get ready for a treat. Continue reading

Sounds from the Dark Side top albums of 2016 (until now)

the_dark_side_of_the_moon toplist 2014

As you might have guessed last solstice was reason enough for us to draw up a list with our best albums of 2016 until this day. Here goes! Continue reading

Nadine Shah – Fast Food

Nadine-Shah_Fast Food coverRemember when you were totally pissed off when I didn’t review Deerhunter’s marvellous Monomania in 2013? Well, It’s looks like history is going to repeat itself because I am not reviewing the band’s latest release, Fading Frontier, either. Yes, again it’s a great indie rocker but there is more music around that deserves some attention right? Nadine Shah sophomore album, for example. So take a good look at the femme fatale artwork, count to ten or whatever and read on.
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Kamasi Washington – The Epic

kamasi_FRONTThe tree of life of jazz grew strong from blues, swing, bebop to cool and branched out into various directions like funk, fusion and free jazz. Today it still stands tall. Adding something fresh to this one-hundred-year-plus history isn’t quite an easy task. However what is fresh? Something truly new and innovating or finding your place within this history by means of your own creative terms? Kamasi Washington chose the latter path and released a three-hour sprawl called The Epic which takes you deep into the heart of jazz.
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