Yikes! Screamy capitals and an upright dash instead of spacing… Continue reading
It took them 10 years to show themselves to the world, but now they finally arrived.
When it comes to about everything January is just a very yawnful month. The weather is grey, people’s gazes are tiresome and, most importantly of course, the number of new album releases is at an all time low. For God’s sake, the sooner January is behind us the better. In the past few weeks I feared nothing relevant would be brought out. Luckily I was wrong. The Canadian post-punkers Viet Cong decided the beginning of the year was an excellent time to release their first studio album and since I was trapped in the wrong venue during last years Le Guess Who festival a review of this album seems a good idea to start our year with.
Please bear with me for a moment: this review is about a young Canadian jazz trio that calls itself BadBadNotGood, which is written as BADBADNOTGOOD and abbreviated as BBNG. Seems simple right? Alas, it isn’t, especially when learning that BADBADNOTGOOD also is known under the confusing names of GoodGoodNotBad and The Odd Trio. Solely judging on the many band names one could say they’re struggling to find a comfort zone within the unruly landscape of the contemporary jazz scene. Or are they just here for the fun of it? Earlier this month BBNG dropped their third studio album since they started out in 2011 and remarkably carries the convenient name… III. Continue reading
I don’t know if this is a confession or not, but i’ve been dreaming about this release for several months now. Usually longings like this are very non-descriptive, however after being teased by a glimpse of the video that comes with the first single, I believe all dreams I had about Timber Timbre since became pretty hot. Continue reading