Just wait for twilight to set in, walk into an open field, bring your media player and headphones. Now simply put on Singularity and look up to the sky. Continue reading
Following the spacy film score to The Last Transmission (2014) The Heliocentrics decided to pick up where they left us in 2013 with 13 Degrees of Reality and with that I mean releasing work solely under their own name. Although the jazz-funk collective usually collaborates with others they are also very capable to push the musical boundaries forward themselves. If you take out all collaborations, From The Deep their third album and as you’ve might have guessed, again is of a sun swallowing nature.
If you leave out the May Day editions, tonight its the eighth time Le Guess Who? will kick off in Utrecht (NL) again. The festival always offers a mixture of unknown and renowned indie acts during the last weeks of November and this year there is no exception on that. Personally, I’m always looking forward to Le Guess Who? because it brings a bunch of interesting artists to my doorstep. Luckily the festival organizers can’t complain about the attention from the Dutch media they’re getting these days and Sounds from the Darkside can’t be left behind on that, so during the coming days we will keep you posted about the festival’s proceedings.
Please bear with me for a moment: this review is about a young Canadian jazz trio that calls itself BadBadNotGood, which is written as BADBADNOTGOOD and abbreviated as BBNG. Seems simple right? Alas, it isn’t, especially when learning that BADBADNOTGOOD also is known under the confusing names of GoodGoodNotBad and The Odd Trio. Solely judging on the many band names one could say they’re struggling to find a comfort zone within the unruly landscape of the contemporary jazz scene. Or are they just here for the fun of it? Earlier this month BBNG dropped their third studio album since they started out in 2011 and remarkably carries the convenient name… III. Continue reading
Earlier this week I fell asleep to the soothing voice of Bill Callahan… BUT WOKE UP TO THE AGGRESSIVE BEATS FROM THE NOISE POP BAND SLEIGH BELLS the next morning… I sighed deeply for a moment yet quickly was reminded of the fact that I still enjoy the debut of Sleigh Bells, Treats (2010). What I love about Treats is its intensive rawness, coming from mind blowing disordered riffs, hardcore beats and electro, and the interweaved feminine cuteness. I mean, ´Straight A´s´, ´Run To The Heart´ and the Diplo remix of ´Demons´ are just top-notch. At the time Sleigh Bells seemed to be a sort of wildcard in the indie scene, defying all kinds of conventions and taking the freedom to stir up some trouble. The simple and direct pounding continued on their sophomore album Reign of Terror in 2012. Vocalist Alexis Krauss and guitarist Derek Edward Miller described the latter as “the sonic equivalent of a beautiful shotgun to the head”. Thats not a bad comparison, apart from the fact that Reign of Terror was also groomed to attract a larger audience. Whilst the album did reach a number 12 spot in the Billboard 200 in its opening week, it plummeted to number 78 in the second week and was completely forgotten in the weeks that followed. Maybe people just don’t like to buy music with shotguns to their heads, hmm? Continue reading