Sorry Fish, it’s 2020 and apparently to some Millennials you’re not that relevant anymore. A new generation is more than ready to take over. Sorry could just be one of those bands who leads the revolt, so let’s give their debut 925 a closer listen.
Close your eyes. Imagine being on your way to work, standing in a ram-packed train… oh right I forgot you don’t need your imagination for that. It’s part of your daily routine. Although you would be wise to close your eyes every now and then and listen to Kevin Morby who made some nice music to commute by. Continue reading →
A big congratulations for Le Guess Who? is in place this year because for ten consecutive years the festival brings new and exciting music to Utrecht. Since a few years the Le Guess Who? festival also gives the city an international buzz and for this reason alone, can’t be missed by people like us. We chose Saturday the 12th of November to be our festival night and here is how we experienced it.
Thao & The Get Down Stay Down have roamed my playlists for a long time. I started out binge-listening the song ‘Geography’ but got acquainted with the rest of their work in the weeks that followed. Hereafter it eventually took me about 5 years to completely wear out their first two records, ignoring the band’s 2013’s follow up, We The Common, in the proces. Earlier this month Thao Nguyen and friends released a brand new record called A Man Alive, so let me simply pick it up from there. Continue reading →
Remember when you were totally pissed off when I didn’t review Deerhunter’s marvellous Monomania in 2013? Well, It’s looks like history is going to repeat itself because I am not reviewing the band’s latest release, Fading Frontier, either. Yes, again it’s a great indie rocker but there is more music around that deserves some attention right? Nadine Shah sophomore album, for example. So take a good look at the femme fatale artwork, count to ten or whatever and read on. Continue reading →