Ex Deo returns to the fray after a temporary hiatus with their third effort, The Immortal Wars to show the world how to properly Roman-up your metal. Let’s take a look. Continue reading
We went to see Sabaton at Amsterdam’s AFAS Live venue so you didn’t have to. We also saw Accept and Twilight Force play a set and this is what we thought. Continue reading
Heavy metal buccaneers Running Wild return to form on their sixteenth album, successfully building a bridge to their glory days. Here’s what we thought of Rapid Foray. Continue reading
Swedish power metal warmongers Sabaton are back with their eighth album, The Last Stand. That means more stories about historic battles wrapped in layers of cheesy goodness. Here’s what we thought. Continue reading
German metal institution Rage is back with the twenty-second album in their long and illustrious career. With a new line-up, a new producer and an injection of new energy and motivation, The Devil Strikes Again might just be the best Rage album in a long time. Continue reading
As you might have guessed last solstice was reason enough for us to draw up a list with our best albums of 2016 until this day. Here goes!
Hinds delivers a stable fundament, a catchy upbeatness and a strong no-nonsense sentiment on their first studio album. A splendid achievement of a group of young friends who again prove that the future belongs to the young (WRM – SftDS review).
After an excellent, old school comeback, German metal machine Iron Savior shows that lightning can indeed strike twice. An excellent power metal album, with a host of varied and pumping tunes (RP).
Channel the Spirits – The Comet Is Coming
Channel the Spirits breaks through the traditional jazz swing and brings very danceable jazz funk. The ensemble taps into the work of free jazz pioneers such John Coltrane, Pharoah Sanders and Sun Ra. Highly recommended (WRM). ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Getting slightly less dark and more retro rocking with each new release, this American band is still a standout in the barrage of retro bands kicking about at the moment. Less heavy, but a little more mature than before (RP).
Finally The Heliocentrics definitely found their niche by bringing together all experience they have gathered around them in recent years. From The Deep is raw and conceptually challenging but moreover. It’s a piece of work to turn inside out over and over again (WRM – SftDS review).
The brothers Tolis return with another collection of their own particular brand of ethnic-upped black-ish metal. Which is something you’d not read on the back of the box very soon. Ethnic-upped probably isn’t even a thing. Still, a great album (RP – SftDS review).
Dutch musician Jameszoo combines Hip hop, jazz, dubstep, R&B and Brazilian music and also is inspired by the medieval painter Hieronymus Bosch. Jameszoo himself calls his debut album Fool a collection of “naive, computer jazz”. I fully agree, so I pitty the fool who doesn’t pick up on this album soon… (WRM – SftDS review).
King is the culmination of years of work for this Italian band, finally marrying classical music and black metal like a Rhapsody of Fire steroids. A triumph for Fleshgod Apocalypse, and an album to keep coming back to (RP).
A Man Alive is an adventurous album and offers listeners a record that is simply full of plain old fun and at the same time is interesting enough to keep playing throughout 2016. Outstanding job Thao (WRM – SftDS review)!
Almost half a year in, Blackstar is still the most intruiging, mysterious and downright fascinating record out there. Bowie’s last album is a masterpiece of jazz fusion and its dark as night itself, both musically as well as lyrically. Unsettling and brilliant (RP – SftDS review).
Indeed, jazz fusion, free jazz and jazz funk are gaining terrain. How about that!? Perhaps it has something to do with age, who knows. Anyway, have a nice summer and see you on the other side.
Ralph Plug & Wander Meulemans – 290616
A neat three years after Κατά Τον Δαίμονα Εαυτού, Rotting Christ return to the fray with a new collection of not-really-black-metal-anymore. It’s a collection of ten great songs, but it’s not for everyone. Continue reading