As 2019 comes to a close, so does the decade, and that means everybody’s not only looking back at the past year but the past ten. Contrarian as we are, we’re not going to do that here and just concentrate on what 2019 brought us in music. Also because ten years seems like a lot of work. So here we go, here’s what we enjoyed most this year.
Although it’s hard not to jump on the bandwagon when talking about 2016 we still wish you a pleasant year’s end and a cheer for the new year. However, before we start the days that lay ahead with champagne and fireworks we counted our blessings which of course, also resulted in these two illustrious album year lists.
Mayan temples, voodoo rituals, redcoats, monsters, a Boeing 747 piloted by a vocalist and a bassist trying to shoot the audience with his bass guitar. Yep, Iron Maiden‘s back in town, and we were there. Because of course we were. Continue reading →
Obligatory clickbait-y intro: in case you’ve been living underneath a rock, there’s a new Iron Maiden album out. It’s called The Book of Souls, sports 92 minutes of new music and it’s the first they’ve put out in five long years. I know if it’s good or not, and I’m telling you after the cut.
Before we dive into this review, there is a confession I have to make. I really, really enjoyed Sonata Arctica’s Stones Grow Her Name (2012), a record that is much maligned for being too weird, faux artistic and soft. And whilst I do love the earlier power metal efforts (up to and including Reckoning Night), I think Unia is by far the strongest album the Finnish band has put out. Then again, I also think A Matter of Life and Death is the best album Iron Maiden has released since Powerslave. Perhaps I’m just a sucker for classic metal bands who dare to tread outside of their safety zone and into a more daringly progressive area, which is exactly what Sonata Arctica has been doing for years now. So, with that out of the way, let’s check out what’s on offer this time. Continue reading →
There is no other metal band quite like Iron Maiden. The British heavy metal institution is still going strong after almost forty years, counting from the very early days, and the band is showing no sign of slowing down quite yet, touring ferociously still, alternating between album promotion tours and classic era themed tours. Like this Maiden England Tour being based on the late eighties’ 7th Tour of a 7th Tour, and the Somewhere in Time Tour before it (that one based on the legendary World Slavery Tour). Continue reading →