Screened in some two thousand cinemas worldwide on September 13th, David Gilmour’s Live at Pompeii is an impressive concert film in every aspect. We had a ticket for one of those screenings, and here’s what we thought.Continue reading →
Happy belated non-denominational winter holiday of your choice, everyone! We’re back with another tombola filled with musical endeavours of our choosing. Round and round it goes, where it stops, no-one knows. Except we do, and here are what we thought were the best albums of 2015. Enjoy.
Disclaimer: I came dangerously close to dismissing Rattle that Lock as an overwrought, pompous, meandering mess. I had seven hundred words written on how I vehemently disliked David Gilmour’s new, and fourth, solo effort. Then I gave it one last spin, just to be sure. And I’m glad I did.
When Pink Floyd, or rather David Gilmour and Nick Mason, announced to the world that they were going to release a new album, made up of what was left behind on the cutting room floor back in 1994, my response was lukewarm at best. Fast forward a few months and The Endless River has finally been released, shattering sales records everywhere. But is Pink Floyd’s swansong worth the hype? Let’s find out. Continue reading →