Although it’s hard not to jump on the bandwagon when talking about 2016 we still wish you a pleasant year’s end and a cheer for the new year. However, before we start the days that lay ahead with champagne and fireworks we counted our blessings which of course, also resulted in these two illustrious album year lists.
Happy belated non-denominational winter holiday of your choice, everyone! We’re back with another tombola filled with musical endeavours of our choosing. Round and round it goes, where it stops, no-one knows. Except we do, and here are what we thought were the best albums of 2015. Enjoy.
‘Summer, summer, summertime…‘ Yep, we’re both huge fans of DJ Jazzy Jeff and the Fresh Prince. Especially at this time of the year. For that exact reason these are our best releases of 2015 until today.
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Blind Guardian – Beyond the Red Mirror
An absolute triumph of intricate, song-writing makes this the band’s most ambitious record. With two choirs and two orchestras in tow, the Blind Guardian never forgets that it’s a metal band first, and delivers on all promises. A true power metal masterpiece (RP – SftDS review).
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Viet Cong – Viet Cong
Viet Cong made this January a month to remember by throwing down the gloves with some sharp edged post-punk. And developing a record in while touring in front of live audiences is kind of experimental though? You better believe the hype. If not, that’s your bad (WRM – SftDS review).
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Therapy? – Disquiet
Ireland’s noisiest trio return to their catchier brand of songwriting on a fun and accessible albums which immediately reminds of their Troublegum heydays. Great fun all in all. (RP).
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Little Wings – Explains
An empty living or a stuffy bedroom still is the best place to listen to Little Wings. Frontman Fields waywardly plays around breaking the conventions of alt-country. A close listen to Explains therefore is mandatory for everyone who’s enjoys progressive music (WRM – SftDS review).
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Virgin Steele – Nocturnes of Hellfire & Damnation
David DeFeis strikes again with a daunting collection of epic songs, once again combining classical influences with the rawness of rock and metal. (RP).
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Alamo Race Track – Hawks
For the fourth time now Alamo Race Track changed its sound to a new adagium but without losing their touch for high quality and well thought out indie pop song structuring. Did they found true place in the universe? I’d like to think so (WRM – SftDS review).
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Paradise Lost – The Plague Within
Paradise Lost’s much awaited return to their death/doom metal roots pays off on a varied and intensely moody album, which might be their best since their early Icon-days (RP).
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Kamasi Washington – The Epic
I didn’t get the chance to review this 172-minute, three-volume jazz set that includes a 32-piece orchestra, a 20-person choir, and 17 songs overlaid with a compositional score. But trust me, I’ll get back to that later. For now you will have settle with my comment that the titles says it al (WRM).
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Battle Beast – Unholy Savior
A keytar-fuelled cheesefest if there ever was one, but Battle Beast third outing hugely profits from the amazing vocals of head-banshee Noora Louhimo and some immensely catchy songs (RP).
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Courtney Barnett – Sometimes I Sit and Think, and Sometimes I Just Sit
Courtney Barnett or Tobias Jesso Jr? That’s a Devil’s choice. I think I’ll go for Courtney. Why? Well, it’s an ideal mix for some good old fashioned spirit lifting and at the same time is nice enough to play as background music (WRM – SftDS review).
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There you go, something for everyone huh. So altough temperatures are rising high at the moment we’re still keen to push things foward for the rest of 2015.
Ralph Plug & Wander Meulemans – 010715
Further surfing:
W’s Sounds from the Dark Side on Spotify
Ah, the last night of a tour. Traditionally the night where celebratory tomfoolery and a sense of elation can either push a gig to legendary heights, or depressing lows, as bands on a joint bill will break into each other’s gigs and pull pranks. And oftentimes somewhere in between. The last night of the Heroes on Tour, erm, tour, falls in the latter category. There was also more male nudity than I care to admit.
