Ok, he ate a taco Satan gave him and survived to sing a song about it. If that isn’t enough he also doesn’t mind to be exposed to some gamma radiation. Nevertheless most of us simply known him to be a suicidal loser who is the proud owner of two turntables and a microphone. Naturally this is a highly subjective manner the sum up Beck’s music. But now that I have your attention, let talk about his new album, Morning Phase, which will have a worldwide release in the coming days. Continue reading
Author Archives: Wander Meulemans
Mogwai – Rave Tapes
Twice I forgot about Mogwai’s existence. I first got acquainted with the band after picking them up during a BBC Peel Session. At the time Come on Die Young (1999) and Rock Action (2001) were not to miss albums. Yet shortly after that, they disappeared from my radar for unknown reasons but reappeared a decade later with Hardcore will never die, but you will (2011). Luckily I was still there to enjoy the instrumental contents of ‘Hardcore’ that in the end never nested on my playlists. Again I had no good reason for this to happen, but it did somehow. Musically Mogwai always was worthwhile to listen to. So a few weeks ago the grey, black and pink cover of their new release, Rave Tapes, caught my eye and made me, shamefully, think about Mogwai again. Let’s say three time’s a charm, all right.
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Warpaint – Warpaint
As far as I recall 2010 brought me quite a lot of ‘hipster approved’ music. And to be honest, bands such as Local Natives, Caribou, Balthazar, Sleigh Bells, Suuns and Warpaint showed a lot of promise back then. The press however was most jubilant about the all-female art-rock outfit, Warpaint, coming from Los Angeles. Surely the involvement of former Red Hot Chilli Peppers guitarist John Frusciante had something to do with that. Initially he successfully helped Theresa Wayman (vocals and guitar) et al to create a trendy, but also out of the box, post-punk sound. Warpaint’s first full length album, The Fool, was therefore deemed to become a self fulfilling prophecy of success. The Fool confirmed this status and stormed the 2010 indie charts and also received some favourable reviews for being swamped with moody chords and haunting vocals. However, where do we go from here? Extending a successful phase by simply releasing a new record isn’t an easy task. For their colleagues Sleigh Bells and Suuns the follow up proved to be a troublesome struggle. Indeed this doesn’t automatically mean another, more negative, self fulfilling prophecy for Warpaint is opening up. So lets give the eponymous second album a spin and hear if they’re able to enchant listeners once again.
Stephen Malkmus and the Jicks – Wig Out at Jagbags
If I may say so, the 1980s was a decade to be frowned upon, at least when viewed in terms of pop culture. Think about it: big hair do’s, stonewashed jeans, mullets, not to speak of the Tom Cruise mania of the time. Sometimes it’s hard to believe the decade also produced the best indie-rock bands we know today. Built to Spill, Sebadoh, Yo La Tengo and Pavement were founded during these years and have risen to great heights ever since. Continue reading
Album Year List (2013)
The year is almost over, so it’s time to draw up the musical balance. We probably missed out on one or two nice albums in the proceedings of this year, so there is all the more reason to keep watch in 2014. Before doing that, let us close 2013 with two proper year lists.
Wander’s Eclectic Top Ten List of 2013:
As far as I’m concerned this year brought us a more than a few solid releases. Especially artists that have been with us for quite some time now were still able to amaze. Some of those truly returned to form, although mostly upheld their high standards. Those of you who dared to look a bit further also found that there was room for some refreshing innovation that was mainly inspired by non-Western traditions. This potential could be endless for its based on something very simple, playfulness. To be honest I’m pretty pleased 2013 showed me the oldies still got it and some emerging bands truly surpassed my expectations.
10. Matt Elliott – Only Myocardial Infarction Can Break Your Heart (SftDS review)
9. Goldfrapp – Tales Of Us (SftDS review)
8. Boards of Canada – Tomorrow’s Harvest
7. Nick Cave & The Bad Seeds – Push The Sky Away (SftDS review)
6. Lola Montez – Kolaveri Di (SftDS review)
5. Kurt Vile – Wakin On A Pretty Daze
4. Meridian Brothers – Devoción (Works 2005 – 2011) (SftDS review)
3. Bill Callahan – Dream River (SftDS review)
There’s no denying it, Bill Callahan just keeps on making the one beautiful song after the other. So I suggest you’ll wait until the day is about to end, pour yourself a nightcap and surrender yourself to Callahan’s short poems.
2. Deerhunter – Monomania
I don’t have any excuse for not reviewing Deerhunter this year. So here is my opinion in a nutshell: Monomania is absolutely f$#k@*g splendid! If you ask me this is by far, the best indie-rock album of 2013. Got that?
1. The Heliocentrics – 13 Degrees of Reality (SftDS review)
13 Degrees of Reality is built upon a diversity of sounds coming from all corners of the world. The Heliocentrics successfully blend this diversity into something new and progressive. Don’t be afraid to pick up this one at your local record store if in need of some forshadowing tension.
Concerts of 2013:
– Ibrahim Maalouf – North Sea Jazz Festival. Ahoy Rotterdam 13-7-2013 (SftDS review)
– Nick Cave and The Bad Seeds – HMH. Amsterdam 4-11-2013 (SftDS review)
– Matt Elliott – Le Guess Who? Leeuwenbergh Utrecht 1-12-2013
Anticipated for 2014:
– Beck – Morning Phase – Expected 14-2-2014
– Timber Timbre – Hot Dreams – Expected 1-4-2014
– Modest Mouse – TBD
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Ralph’s Unholy List of Infernal Racket of 2013:
There have been worse musical years, especially when you are into more the old-fashioned sounding heavy metal of yesteryear. The retro virus is apparently still spreading and the swampy, seventies vibe still roams through the metallic land. There have been a number of surprises for me this year and at least one more than convincing comeback, and drawing up a list of ten best (or favourite) albums felt like a herculean effort. So without further ado, here’s my top ten list of 2013:
10. Jex Thoth – Blood Moon Rise
9. Rotting Christ – Κατά Τον Δαίμονα Εαυτού (SftDS review)
8. Chthonic – Bú-Tik (SftDS review)
7. Summoning – Old Mornings Dawn (SftDS review)
6. Avatarium – Avatarium
5. Kvelertak – Meir (SftDS review)
4. Ghost – Infestissumam (SftDS review)
3. Bowie, David – The Next Day (SftDS review)
Bowie’s first album in ten years totally came out of left field, but managed to both convince and surprise. A perfect marriage between the man’s older and newer material, The Next Day is up there with his best efforts.
2. Twilight of the Gods – Fire on the Mountain (SftDS review)
No one expected this Bathory cover band to come out with their own material, but Fire on the Mountain is a real scorcher, and not to be missed by fans of traditional and epic heavy metal.
1. Atlantean Kodex – The White Goddess (SftDS review)
Really putting the ‘e’ in ‘epic’, the German Atlantean Kodex pulls no punches on their terrific sophomore album. The White Goddess is one of those rare albums that is way ahead of the competition, and is destined to become an all-time classic metal album in the years to come.
Concerts of 2013:
– Rush – Ziggo Dome Amsterdam, 2-6-2013
– Bruce Springsteen & the E Street Band – Goffertpark Nijmegen, 22-6-2013 (SftDS review)
– Roger Waters – Gelredome Arnhem, 18-7-2013 (SftDS review)
Anticipated for 2014:
– Iced Earth – Plagues of Babylon – Expected 1-6-2014
– Alcest – Shelter – Expected 17-1-2014
– Iron Savior – Rise of the Hero – Expected 28-2-2014
That’s it for now so see you next year. Have a nice one, and oh,… ‘keep on trucking’.
Meridian Brothers – Devoción (Works 2005 – 2011) (2013)
At the very end of each December it is of good custom to talk about what the year has musically brought us. Before I lose myself into listmania I think it’s fair to point out a great ensemble of musicians I discovered in the latter part of 2013. So if you’re interested in Mestizo with a South-American edge, dropping acid, UFO’s and… well, let’s say an overall craziness, please read on. Continue reading
Sumie – Sumie (2013)
As winter settles in, many of us are getting ready for an overall quaintness. Domestically seen coziness is typically of female concern. Therefore its quite natural dropping temperatures cause an increase of releases coming from female singer songwriters. Only question is, which splendor will be the most successful this year? Chances are the new album of the Danish pianist Agnes Obel will end up underneath many Christmas trees. However, the competition field is very strong and, for whats its worth, mostly Scandinavian. Next to Obel, Ane Brun, Nina Kinert, Titiyo and Laura Marling are just a few names who want to make winter a soothing experience. In the niches of this all-female battle smaller acts are still hoping to make an impact in this scene. The Swedish-Japanese Sumie Nagano is one of them. With a significant marketing buzz her self-titled debut was brought to stores at the beginning of this month. On forehand Sumie’s CD seems to be at least a fine example of Just-in-Time management. Now let’s hope she musically able to convince as well.
Matt Elliott – Only Myocardial Infarction Can Break Your Heart (2013)
Time’s a-wasting, a saying that fits Matt Elliott well if you ask me. For starters, Elliott is the kind of musician that’s been with us for quite some time now. His track record goes back to the mid-nineties in which he was part of Linda’s Strange Vacation. In the beginning of this century he began releasing albums under his own name and was on a high in the period of his ‘Songs’ Trilogy (2004-2009). When I say time’s a-wasting, I’m also referring to the length and drawn out instrumentation of his work. Those who listen to Elliott are usually pulled into his world full of gloominess and wake from it about a hour later. I for one am just stepping out of the half light of his 2012 release, The Broken Man. However a new state of limbo already awaits me for a few weeks ago he released his sixteenth work with the tombstoner title: Only Myocardial Infarction Can Break Your Heart. On The Broken Man he promised us more pain and by the looks of it there’s no escaping it. Bring it on.
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Howe Gelb – The Coincidentalist (2013)
On a certain level, all kinds of interesting dependencies between notions are always to be found. Drunk driving is much less dangerous than drunk walking and meat eaters are selfish and less social, or at least some say so. Naturally one can question the validity if such claims, but lets skip that for a moment. Instead I have a claim of my own, here goes: the Danish landscape is strongly connected the desolate desert scenery we know from American Southwest. There you go. Okay, I have to be honest, unfortunately I don’t have any dataset that supports this in anyway, so to many number crushing fetishists this claim will be ripe for the bin in an instant. Unless.., that dark silhouette standing amidst of a gently sloping Danish field is here to save the day. Could this be Howe Gelb? Continue reading
[Live Review] Nick Cave and The Bad Seeds – Heineken Music Hall, Amsterdam (4-11-2013)
Its been only a few months since the gig at the Netherlands’ biggest pop festival, A Campingflight to Lowlands, and from what we’ve heard from a few youngsters, Cave rocked the audience’s the socks off! Now for us ‘younger elderly’ Nick Cave and the Bad Seeds scheduled a new concert in Amsterdam’s Heineken Music Hall (HMH) halfway through November. Alas this was sold out in an instant. Luck has it Cave found another free date in his busy touring schedule, resulting in an extra (but far from sold-out) Amsterdam concert. Sounds from the Dark Side couldn’t resist the temptation and made the long and arduous journey to the sprawling edges of Holland’s capital.
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