Way back in 2012, former Genesis guitarist Steve Hackett released a follow-up to his 1996 album Watcher of the Skies: Genesis Revisited, which, as the title suggests, featured a number of classic as well as lesser known Genesis songs. On Genesis Revisited II, Hackett pulled out all the stops and, together with a host of guest musicians, finally took on long-time fan favourites such as the gargantuan Supper’s Ready, The Musical Box and Return of the Giant Hogweed. Now, there’s the live document Genesis Revisited: Live at Hammersmith to accompany that release. Continue reading
Tag Archives: review
Ayreon – The Theory of Everything (2013)
Well this was a long time coming. I’m speaking of the review, but the same could go for The Theory of Everything, the follow-up to the 2008 01011001 album, which was long held to be the swansong for the Dutch Ayreon project. Arjen Anthony Lucassen, tired of doing huge and complex projects after 01011001, had all but decided that there would be no more Ayreon, and instead concentrated on Guilt Machine, the second Star One album and his 2012 solo record, albums which were all a lot more straight-forward the increasingly complex bloat Ayreon had become. Apparently though, Lucassen needed another challenge in his life; queue 2013, and the new Ayreon album, The Theory of Everything. Continue reading
[Live Review] Nick Cave and The Bad Seeds – Heineken Music Hall, Amsterdam (4-11-2013)
Its been only a few months since the gig at the Netherlands’ biggest pop festival, A Campingflight to Lowlands, and from what we’ve heard from a few youngsters, Cave rocked the audience’s the socks off! Now for us ‘younger elderly’ Nick Cave and the Bad Seeds scheduled a new concert in Amsterdam’s Heineken Music Hall (HMH) halfway through November. Alas this was sold out in an instant. Luck has it Cave found another free date in his busy touring schedule, resulting in an extra (but far from sold-out) Amsterdam concert. Sounds from the Dark Side couldn’t resist the temptation and made the long and arduous journey to the sprawling edges of Holland’s capital.
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Twilight of the Gods – Fire on the Mountain (2013)
There is a glorious moment halfway through Sword of Damocles, where a lone guitar starts playing a solo and you find yourself saying, “this is a twin-solo if I ever heard one,” just before that second guitar joins the fray. It’s just before the song trots off in one of those Iron Maiden type gallops. Twilight of the Gods’ debut album Fire on the Mountain is full of moments like that. It’s Manowar versus viking style Bathory with a dash of Primordial here, and it’s brilliant. But let’s dive into the facts, before we start sprinkling superlatives. Continue reading
Sleigh Bells – Bitter Rivals (2013)
Earlier this week I fell asleep to the soothing voice of Bill Callahan… BUT WOKE UP TO THE AGGRESSIVE BEATS FROM THE NOISE POP BAND SLEIGH BELLS the next morning… I sighed deeply for a moment yet quickly was reminded of the fact that I still enjoy the debut of Sleigh Bells, Treats (2010). What I love about Treats is its intensive rawness, coming from mind blowing disordered riffs, hardcore beats and electro, and the interweaved feminine cuteness. I mean, ´Straight A´s´, ´Run To The Heart´ and the Diplo remix of ´Demons´ are just top-notch. At the time Sleigh Bells seemed to be a sort of wildcard in the indie scene, defying all kinds of conventions and taking the freedom to stir up some trouble. The simple and direct pounding continued on their sophomore album Reign of Terror in 2012. Vocalist Alexis Krauss and guitarist Derek Edward Miller described the latter as “the sonic equivalent of a beautiful shotgun to the head”. Thats not a bad comparison, apart from the fact that Reign of Terror was also groomed to attract a larger audience. Whilst the album did reach a number 12 spot in the Billboard 200 in its opening week, it plummeted to number 78 in the second week and was completely forgotten in the weeks that followed. Maybe people just don’t like to buy music with shotguns to their heads, hmm? Continue reading
Running Wild – Resilient (2013)
Rolf Kasparek is the Tony Iommi of German power metal. When you buy a Running Wild album, you know you will be treated to some really catchy riffs, and it’s no different with Resilient, the fifteenth album by the Teutonic Buckaneers, and the second since the rebirth. Where 2012’s Shadowmaker sounded a bit hesitant and, frankly, lacklustre, Resilient presents us with a more fiery and upbeat collection of material.
Bill Callahan – Dream River (2013)
In ‘96 I was first confronted with the tormented voice of Bill Callahan, who was at that time still known as Smog. Indeed The Doctor Came at Dawn (1996) was a very nice lo-fi album, yet it wasn’t memorable either. What was memorable to me was Smog’s ’second single, ´Cold Blooded Old Times´ that came with the album Knock Knock (1999). Cold Blooded Old Times caused a vicarious sort of heartache to take over one’s mood. This was strengthened when the song appeared on soundtrack of High Fidelity (2000) that is all about heartaches, from a male’s perspective that is. Continue reading
Goldfrapp – Tales of Us (2013)
On several occasions Goldfrapp left fans of old empty handed. For those of you who don’t know, Goldfrapp once was famed for their darkish, icy and cinematic breakthrough album, Felt Mountain that was released more than a decade ago. A few years after this success Alison Goldfrapp and Will Gregory decided to radically change their focus to glam electronics and combined this with a ‘Lady Gagaish’ look and feel on stage. Personally I was startled by the contents of the successor Black Cherry (2003) but also secretly accepted this album to be my guilty pleasure of the year. That year I also noticed that I wasn’t alone in this. Black Cherry was sold in very large numbers and picked up by Coca-Cola, Nintendo and Armani who used Goldfrapp’s tunes for commercial purposes. Obviously this popularity led to a follow up album in 2005. Supernature was meant to be an extension of the previous success and flourished on many hot and sweaty dance floors around the world. Next up was Seventh Tree (2008), an album that slightly reassured me because its rationale was of a more delicate and tranquil nature. Did this foreshadow a return to the early years of Goldfrapp? Alas it didn’t, for on their fifth album was neglectable. On Head First (2010) Goldfrapp reverted themselves to catchy dance music. When you try and sum this up in one sentence one can only conclude that Goldfrapp’s discography is not one you need to aline chronologically. This summer he latest scion from the duo was released on Mute Records and to be honest, I don’t know what to expect anymore. Yet after more than a decade, my devotion to Felt Mountain is still strongly present so I’m willing to give it another shot. Continue reading
Turisas – Turisas2013 (2013)
Your first thought upon having listened to Turisas2013 in its entirety for the first time, might very well be, “what the bloody hell just happened?” Then again, if you’re familiar with the Finnish folk metal band, chances are that it’s a feeling you have come to expect when listening to a Turisas album for the first time. I know I have, and I’m still flabbergasted whenever I first lay ears on what Mathias “Warlord “ Nygård and his band have in store for us. The only thing is, with Turisas2013 it started sooner than normal, with the announcement of the album title, which is, we can fairly say, crap. When the band released For Your Own Good as a streaming track in advance, however, I was quite ready and set for disappointment. Continue reading
Earth Mk. II – Music For Mammals (2013)
Even when the name of your best friend is Jacco Gardner it’s kind of a bold decision to quote from Pink Floyd’s debut, The Piper At The Gates Of Dawn (1967) to grace your own debut album. Overconfident or not, Hugo van de Poel at least shows that he’s got a fine taste in music. From an early age he and Gardner listened to Syd Barett, The Zombies and Billy Nicholls. This eventually led to the band The Skywalkers that was a small hit in the Dutch freak scene. Hereafter both chaps decided to focus their attention onto their solo projects. Gardner’s Cabinet of Curiosities (2013) proved to be very successful leaving van de Poel outside the spotlights. That is, up until now. Because this month under the alias Earth Mk. II he released Music For Mammals on Excelsior Recordings. And guess what, Gardner acts as the album’s producer, so there is no surprise that Music For Mammals is all about sixties psych pop. Also Music For Mammals is the umpteenth psychedelics record this year and some courage is needed when entering this already full market. Yet courage is not the only prerequisite for success. Earth Mk. II needs to find a way to be distinctive from the others bands in this genre. And I wonder if there is any space left to do so. Continue reading
