Tag Archives: review

Manowar – Kings of Metal MMXIV

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Oh dear, that was rather unneccesary.Manowar - Kings of Metal XXMIV..

Way back in 1988, the American metal band Manowar finally enjoyed their big break-through with their sixth effort, Kings of Metal. Combining the epic sound of their earlier albums like Into Glory Ride and Hail to England with the more rock ‘n roll approach of Fighting the World, Kings of Metal was the culmination of years of hard work for the band, and the epitome of what the band was capable of at the time. Eschewing the darkness that still make the first few albums into such timeless epic metal classics, Kings of Metal offered a more accessible approach to Manowar metal, and heralded a long era of heavy metal anthems and, dare we say, over-the-top cheesiness. It was also the last truly great Manowar album. Continue reading →

Bruce Springsteen – High Hopes

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Bruce Springsteen - High HopesWhen Bruce Springsteen announced an album of covers and reworkings of his own material, my initial reaction was tepid, and I imagine a lot of people reacted similarly. After the more introvert Wrecking Ball (2012), an album with new material and the E Street Band in full gear would have sounded like a much better idea, after all. Imagine the surprise then, that High Hopes turns out to be The Boss’ most spontaneous sounding and solid rocking album in ages. Continue reading →

Beck – Morning Phase

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beck-morning-phaseOk, he ate a taco Satan gave him and survived to sing a song about it. If that isn’t enough he also doesn’t mind to be exposed to some gamma radiation. Nevertheless most of us simply known him to be a suicidal loser who is the proud owner of two turntables and a microphone. Naturally this is a highly subjective manner the sum up Beck’s music. But now that I have your attention, let talk about his new album, Morning Phase, which will have a worldwide release in the coming days.     Continue reading →

Mogwai – Rave Tapes

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Mogwai_FrontTwice I forgot about Mogwai’s existence. I first got acquainted with the band after picking them up during a BBC Peel Session. At the time Come on Die Young (1999) and Rock Action (2001) were not to miss albums. Yet shortly after that, they disappeared from my radar for unknown reasons but reappeared a decade later with Hardcore will never die, but you will (2011). Luckily I was still there to enjoy the instrumental contents of ‘Hardcore’ that in the end never nested on my playlists. Again I had no good reason for this to happen, but it did somehow. Musically Mogwai always was worthwhile to listen to. So a few weeks ago the grey, black and pink cover of their new release, Rave Tapes, caught my eye and made me, shamefully, think about Mogwai again. Let’s say three time’s a charm, all right.
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Warpaint – Warpaint

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Warpaint_frontAs far as I recall 2010 brought me quite a lot of ‘hipster approved’ music. And to be honest, bands such as Local Natives, Caribou, Balthazar, Sleigh Bells, Suuns and Warpaint showed a lot of promise back then. The press however was most jubilant about the all-female art-rock outfit, Warpaint, coming from Los Angeles. Surely the involvement of former Red Hot Chilli Peppers guitarist John Frusciante had something to do with that. Initially he successfully helped Theresa Wayman (vocals and guitar) et al to create a trendy, but also out of the box, post-punk sound. Warpaint’s first full length album, The Fool, was therefore deemed to become a self fulfilling prophecy of success. The Fool confirmed this status and stormed the 2010 indie charts and also received some favourable reviews for being swamped with moody chords and haunting vocals. However, where do we go from here? Extending a successful phase by simply releasing a new record isn’t an easy task. For their colleagues Sleigh Bells and Suuns the follow up proved to be a troublesome struggle. Indeed this doesn’t automatically mean another, more negative, self fulfilling prophecy for Warpaint is opening up. So lets give the eponymous second album a spin and hear if they’re able to enchant listeners once again.

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Stephen Malkmus and the Jicks – Wig Out at Jagbags

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SMaTJIf I may say so, the 1980s was a decade to be frowned upon, at least when viewed in terms of pop culture. Think about it: big hair do’s, stonewashed jeans, mullets, not to speak of the Tom Cruise mania of the time. Sometimes it’s hard to believe the decade also produced the best indie-rock bands we know today. Built to Spill, Sebadoh, Yo La Tengo and Pavement were founded during these years and have risen to great heights ever since.  Continue reading →

William Shatner – Ponder the Mystery

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William Shatner – Ponder the MysteryOn William Shatner’s fourth album, he takes a deep dive into the realm of progressive rock. I believe the correct response to that would be, “what the hell?” Then again, Shatner’s musical career through the years has already been a steady flow of what-the-hell, hasn’t it? From the ludicrous The Transformed Man, where the actor dramatically read Shakespeare over pop music, to 2011’s hard rocking collection of science fiction-y cover songs on Seeking Major Tom. Both albums are both as enjoyable as they are ridiculous, whereas 2004’s Has Been was actually a pretty good album with mostly original material, where that perfect symbiosis between Shatner’s spoken word style and pop/rock music was finally met. Ponder the Mystery is more of that, but with a large dose of prog rock injected into it. Continue reading →

Meridian Brothers – Devoción (Works 2005 – 2011) (2013)

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meridian-brothers-devocion-works-2005-2011At the very end of each December it is of good custom to talk about what the year has musically brought us. Before I lose myself into listmania I think it’s fair to point out a great ensemble of musicians  I discovered  in the latter part of 2013. So if you’re interested in Mestizo with a South-American edge, dropping acid, UFO’s and… well, let’s say an overall craziness, please read on. Continue reading →

Bad Religion – Christmas Songs (2013)

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Bad Religion – Christmas SongsIt’s perhaps a small miracle it has taken Bad Religion so long to come up with an official Christmas release. Masters of the harmonious oohs and aahs, seasonal sing-a-longs should be right up their proverbial alley, after all. Of course, there are a number of old (bootleg) recordings of the American punk rock institute burning their fingers on festive evergreens, but 2013 marks the year Graffin, Gurewitz et al release their first real Christmas EP. Continue reading →

Sumie – Sumie (2013)

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Sumie-Sumie-COVERAs winter settles in, many of us are getting ready for an overall quaintness. Domestically seen coziness is typically of female concern. Therefore its quite natural dropping  temperatures cause an increase of releases coming from female singer songwriters. Only question is, which splendor will be the most successful this year? Chances are the new album of the Danish pianist Agnes Obel will end up underneath many Christmas trees. However, the competition field is very strong and, for whats its worth,  mostly Scandinavian. Next to Obel,  Ane Brun, Nina Kinert, Titiyo and Laura Marling are just a few names who want to make winter a soothing experience. In the niches of this all-female battle smaller acts are still hoping to make an impact in this scene. The Swedish-Japanese Sumie Nagano is one of them. With a significant marketing buzz her self-titled debut was brought to stores at the beginning of this month. On forehand Sumie’s CD seems to be at least a fine example of Just-in-Time management. Now let’s hope she musically able to convince as well.

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