If I may say so, the 1980s was a decade to be frowned upon, at least when viewed in terms of pop culture. Think about it: big hair do’s, stonewashed jeans, mullets, not to speak of the Tom Cruise mania of the time. Sometimes it’s hard to believe the decade also produced the best indie-rock bands we know today. Built to Spill, Sebadoh, Yo La Tengo and Pavement were founded during these years and have risen to great heights ever since. Continue reading
Category Archives: WRM
Wander Meulemans
Album Year List (2013)
The year is almost over, so it’s time to draw up the musical balance. We probably missed out on one or two nice albums in the proceedings of this year, so there is all the more reason to keep watch in 2014. Before doing that, let us close 2013 with two proper year lists.
Wander’s Eclectic Top Ten List of 2013:
As far as I’m concerned this year brought us a more than a few solid releases. Especially artists that have been with us for quite some time now were still able to amaze. Some of those truly returned to form, although mostly upheld their high standards. Those of you who dared to look a bit further also found that there was room for some refreshing innovation that was mainly inspired by non-Western traditions. This potential could be endless for its based on something very simple, playfulness. To be honest I’m pretty pleased 2013 showed me the oldies still got it and some emerging bands truly surpassed my expectations.
10. Matt Elliott – Only Myocardial Infarction Can Break Your Heart (SftDS review)
9. Goldfrapp – Tales Of Us (SftDS review)
8. Boards of Canada – Tomorrow’s Harvest
7. Nick Cave & The Bad Seeds – Push The Sky Away (SftDS review)
6. Lola Montez – Kolaveri Di (SftDS review)
5. Kurt Vile – Wakin On A Pretty Daze
4. Meridian Brothers – Devoción (Works 2005 – 2011) (SftDS review)
3. Bill Callahan – Dream River (SftDS review)
There’s no denying it, Bill Callahan just keeps on making the one beautiful song after the other. So I suggest you’ll wait until the day is about to end, pour yourself a nightcap and surrender yourself to Callahan’s short poems.
2. Deerhunter – Monomania
I don’t have any excuse for not reviewing Deerhunter this year. So here is my opinion in a nutshell: Monomania is absolutely f$#k@*g splendid! If you ask me this is by far, the best indie-rock album of 2013. Got that?
1. The Heliocentrics – 13 Degrees of Reality (SftDS review)
13 Degrees of Reality is built upon a diversity of sounds coming from all corners of the world. The Heliocentrics successfully blend this diversity into something new and progressive. Don’t be afraid to pick up this one at your local record store if in need of some forshadowing tension.
Concerts of 2013:
– Ibrahim Maalouf – North Sea Jazz Festival. Ahoy Rotterdam 13-7-2013 (SftDS review)
– Nick Cave and The Bad Seeds – HMH. Amsterdam 4-11-2013 (SftDS review)
– Matt Elliott – Le Guess Who? Leeuwenbergh Utrecht 1-12-2013
Anticipated for 2014:
– Beck – Morning Phase – Expected 14-2-2014
– Timber Timbre – Hot Dreams – Expected 1-4-2014
– Modest Mouse – TBD
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Ralph’s Unholy List of Infernal Racket of 2013:
There have been worse musical years, especially when you are into more the old-fashioned sounding heavy metal of yesteryear. The retro virus is apparently still spreading and the swampy, seventies vibe still roams through the metallic land. There have been a number of surprises for me this year and at least one more than convincing comeback, and drawing up a list of ten best (or favourite) albums felt like a herculean effort. So without further ado, here’s my top ten list of 2013:
10. Jex Thoth – Blood Moon Rise
9. Rotting Christ – Κατά Τον Δαίμονα Εαυτού (SftDS review)
8. Chthonic – Bú-Tik (SftDS review)
7. Summoning – Old Mornings Dawn (SftDS review)
6. Avatarium – Avatarium
5. Kvelertak – Meir (SftDS review)
4. Ghost – Infestissumam (SftDS review)
3. Bowie, David – The Next Day (SftDS review)
Bowie’s first album in ten years totally came out of left field, but managed to both convince and surprise. A perfect marriage between the man’s older and newer material, The Next Day is up there with his best efforts.
2. Twilight of the Gods – Fire on the Mountain (SftDS review)
No one expected this Bathory cover band to come out with their own material, but Fire on the Mountain is a real scorcher, and not to be missed by fans of traditional and epic heavy metal.
1. Atlantean Kodex – The White Goddess (SftDS review)
Really putting the ‘e’ in ‘epic’, the German Atlantean Kodex pulls no punches on their terrific sophomore album. The White Goddess is one of those rare albums that is way ahead of the competition, and is destined to become an all-time classic metal album in the years to come.
Concerts of 2013:
– Rush – Ziggo Dome Amsterdam, 2-6-2013
– Bruce Springsteen & the E Street Band – Goffertpark Nijmegen, 22-6-2013 (SftDS review)
– Roger Waters – Gelredome Arnhem, 18-7-2013 (SftDS review)
Anticipated for 2014:
– Iced Earth – Plagues of Babylon – Expected 1-6-2014
– Alcest – Shelter – Expected 17-1-2014
– Iron Savior – Rise of the Hero – Expected 28-2-2014
That’s it for now so see you next year. Have a nice one, and oh,… ‘keep on trucking’.
Meridian Brothers – Devoción (Works 2005 – 2011) (2013)
At the very end of each December it is of good custom to talk about what the year has musically brought us. Before I lose myself into listmania I think it’s fair to point out a great ensemble of musicians I discovered in the latter part of 2013. So if you’re interested in Mestizo with a South-American edge, dropping acid, UFO’s and… well, let’s say an overall craziness, please read on. Continue reading
Sumie – Sumie (2013)
As winter settles in, many of us are getting ready for an overall quaintness. Domestically seen coziness is typically of female concern. Therefore its quite natural dropping temperatures cause an increase of releases coming from female singer songwriters. Only question is, which splendor will be the most successful this year? Chances are the new album of the Danish pianist Agnes Obel will end up underneath many Christmas trees. However, the competition field is very strong and, for whats its worth, mostly Scandinavian. Next to Obel, Ane Brun, Nina Kinert, Titiyo and Laura Marling are just a few names who want to make winter a soothing experience. In the niches of this all-female battle smaller acts are still hoping to make an impact in this scene. The Swedish-Japanese Sumie Nagano is one of them. With a significant marketing buzz her self-titled debut was brought to stores at the beginning of this month. On forehand Sumie’s CD seems to be at least a fine example of Just-in-Time management. Now let’s hope she musically able to convince as well.
Matt Elliott – Only Myocardial Infarction Can Break Your Heart (2013)
Time’s a-wasting, a saying that fits Matt Elliott well if you ask me. For starters, Elliott is the kind of musician that’s been with us for quite some time now. His track record goes back to the mid-nineties in which he was part of Linda’s Strange Vacation. In the beginning of this century he began releasing albums under his own name and was on a high in the period of his ‘Songs’ Trilogy (2004-2009). When I say time’s a-wasting, I’m also referring to the length and drawn out instrumentation of his work. Those who listen to Elliott are usually pulled into his world full of gloominess and wake from it about a hour later. I for one am just stepping out of the half light of his 2012 release, The Broken Man. However a new state of limbo already awaits me for a few weeks ago he released his sixteenth work with the tombstoner title: Only Myocardial Infarction Can Break Your Heart. On The Broken Man he promised us more pain and by the looks of it there’s no escaping it. Bring it on.
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Howe Gelb – The Coincidentalist (2013)
On a certain level, all kinds of interesting dependencies between notions are always to be found. Drunk driving is much less dangerous than drunk walking and meat eaters are selfish and less social, or at least some say so. Naturally one can question the validity if such claims, but lets skip that for a moment. Instead I have a claim of my own, here goes: the Danish landscape is strongly connected the desolate desert scenery we know from American Southwest. There you go. Okay, I have to be honest, unfortunately I don’t have any dataset that supports this in anyway, so to many number crushing fetishists this claim will be ripe for the bin in an instant. Unless.., that dark silhouette standing amidst of a gently sloping Danish field is here to save the day. Could this be Howe Gelb? Continue reading
[Live Review] Nick Cave and The Bad Seeds – Heineken Music Hall, Amsterdam (4-11-2013)
Its been only a few months since the gig at the Netherlands’ biggest pop festival, A Campingflight to Lowlands, and from what we’ve heard from a few youngsters, Cave rocked the audience’s the socks off! Now for us ‘younger elderly’ Nick Cave and the Bad Seeds scheduled a new concert in Amsterdam’s Heineken Music Hall (HMH) halfway through November. Alas this was sold out in an instant. Luck has it Cave found another free date in his busy touring schedule, resulting in an extra (but far from sold-out) Amsterdam concert. Sounds from the Dark Side couldn’t resist the temptation and made the long and arduous journey to the sprawling edges of Holland’s capital.
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Sleigh Bells – Bitter Rivals (2013)
Earlier this week I fell asleep to the soothing voice of Bill Callahan… BUT WOKE UP TO THE AGGRESSIVE BEATS FROM THE NOISE POP BAND SLEIGH BELLS the next morning… I sighed deeply for a moment yet quickly was reminded of the fact that I still enjoy the debut of Sleigh Bells, Treats (2010). What I love about Treats is its intensive rawness, coming from mind blowing disordered riffs, hardcore beats and electro, and the interweaved feminine cuteness. I mean, ´Straight A´s´, ´Run To The Heart´ and the Diplo remix of ´Demons´ are just top-notch. At the time Sleigh Bells seemed to be a sort of wildcard in the indie scene, defying all kinds of conventions and taking the freedom to stir up some trouble. The simple and direct pounding continued on their sophomore album Reign of Terror in 2012. Vocalist Alexis Krauss and guitarist Derek Edward Miller described the latter as “the sonic equivalent of a beautiful shotgun to the head”. Thats not a bad comparison, apart from the fact that Reign of Terror was also groomed to attract a larger audience. Whilst the album did reach a number 12 spot in the Billboard 200 in its opening week, it plummeted to number 78 in the second week and was completely forgotten in the weeks that followed. Maybe people just don’t like to buy music with shotguns to their heads, hmm? Continue reading
Bill Callahan – Dream River (2013)
In ‘96 I was first confronted with the tormented voice of Bill Callahan, who was at that time still known as Smog. Indeed The Doctor Came at Dawn (1996) was a very nice lo-fi album, yet it wasn’t memorable either. What was memorable to me was Smog’s ’second single, ´Cold Blooded Old Times´ that came with the album Knock Knock (1999). Cold Blooded Old Times caused a vicarious sort of heartache to take over one’s mood. This was strengthened when the song appeared on soundtrack of High Fidelity (2000) that is all about heartaches, from a male’s perspective that is. Continue reading
Gregory Porter – Liquid Spirit (2013)
Lets face it, Gregory Porter is all about superlatives. With his impressive appearance and magnificent voice Porter is among today’s top jazz vocalists. Since the release of the debut album Water (2010) everything he touched turned into gold. Water was enthusiastically welcomed by the press and received a Grammy nomination in the Best Jazz Vocal Album category. In 2012 his sophomore release Be Good proved to be just as successful as its predecessor. Be Good was a number-one debut on the iTunes Jazz Album Chart and reached top ten positions on various other charts. Moreover Porter was honoured with another Grammy nomination for the single ‘Real Good Hands’. Recently I saw Gregory Porter perform on the North Sea Jazz Festival with the Metropole Orchestra and, to throw in another superlative, it was breathtaking. Porter is on a high, so there´s no surprise a new release in 2013 was on the stocks. Beforehand there was no reason for fans and critics to worry about quality of Liquid Spirit, for Indeed the brand “Gregory Porter“ already stands for high quality jazz and soul. I However am obliged to uphold a critical attitude to all that´s hyped and hip and therefore question if the towering achievements of Porter
don´t lead to a case of the Midas touch. Continue reading
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