Funeral Whore is a Dutch death metal band, releasing its second album after several line-up changes and a four year break. But was it worth the long wait? Continue reading
Tag Archives: review
Thao & The Get Down Stay Down – A Man Alive
Thao & The Get Down Stay Down have roamed my playlists for a long time. I started out binge-listening the song ‘Geography’ but got acquainted with the rest of their work in the weeks that followed. Hereafter it eventually took me about 5 years to completely wear out their first two records, ignoring the band’s 2013’s follow up, We The Common, in the proces. Earlier this month Thao Nguyen and friends released a brand new record called A Man Alive, so let me simply pick it up from there. Continue reading
Rotting Christ – Rituals
A neat three years after Κατά Τον Δαίμονα Εαυτού, Rotting Christ return to the fray with a new collection of not-really-black-metal-anymore. It’s a collection of ten great songs, but it’s not for everyone. Continue reading
Matt Eliott – The Calm Before
One of England’s most tormented singers returns yet again after leaving us with a heart-breaking myocardial infarction in 2013. I mean this in a figurative way of course because in real life Matt Elliott is healthy as a horse. How else could The Calm Before be his seventeenth (!) album to date. Now let’s hear what this veteran of agony brings us this time, shall we? Continue reading
[Live Review] Ennio Morricone – 60 Years of Music – Ziggo Dome Amsterdam
Everybody and their aunts know the theme to The Good, The Bad and the Ugly, Sergio Leone’s seminal spaghetti western masterpiece. It’s also the main draw for most of the people attending Ennio Morricone’s 60 Years of Music tour, as becomes apparent on Sunday night in Ziggo Dome. But there was more, much more to enjoy. Continue reading
Hinds – Leave Me Alone
Obviously Bowie’s parting gift was last week’s main talking point. Blackstar will probably, and justly, leave deep imprints on the year that lies in front of us. However, the wheels of the industry keep on turning and forces us to look beyond all sobbing. Luckily the Madrid based indie rock chicks of Hinds offer us 2016’s first bright welcoming gift. Continue reading
David Bowie – Blackstar
Who would have thought Blackstar would turn out to be David Bowie’s final album? As it turns out, not many, other than Bowie himself. Here, we take a long, hard look at the man’s parting gift to the world. Continue reading
Gloryhammer – Space 1992: Rise of the Chaos Wizards
If you would have told me that one of my favourite albums of the year would be a power metal album by what’s essentially a joke band, I would have scoffed at you. As it stands, however, Space 1992: Rise of the Chaos Wizards is just that: one of the best power metal albums of the year. And yes, I know I’m late to the party. Continue reading
Meridian Brothers – Los Suicidas
It didn’t took the Meridian Brothers long to drop a new release after last years “alright” Salvadora Robot. The ensemble’s search to deepen their distinctive tropical sound is of an exhaustive kind. This time around Eblis Álvarez et al got inspired to set up an organ-inspired trilogy and Los Suicidas serves as its first part. Indeed, all of this essentially means that you will have to get ready for a fever pitch all over again. Get set and let’s plunge into all out blurriness at the end of the year, shall we?
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Ulysses – #eMotion
For all Ulysses does right on #eMotion (and they do a lot of things very right indeed), they do start out with what might be the most annoying opening riff I have heard in a very long time. It’s almost annoying enough to turn the album off and do something else. Almost. Because if you did, you’d miss out on an hour of extremely good progressive metal.
