Earlier this week I fell asleep to the soothing voice of Bill Callahan… BUT WOKE UP TO THE AGGRESSIVE BEATS FROM THE NOISE POP BAND SLEIGH BELLS the next morning… I sighed deeply for a moment yet quickly was reminded of the fact that I still enjoy the debut of Sleigh Bells, Treats (2010). What I love about Treats is its intensive rawness, coming from mind blowing disordered riffs, hardcore beats and electro, and the interweaved feminine cuteness. I mean, ´Straight A´s´, ´Run To The Heart´ and the Diplo remix of ´Demons´ are just top-notch. At the time Sleigh Bells seemed to be a sort of wildcard in the indie scene, defying all kinds of conventions and taking the freedom to stir up some trouble. The simple and direct pounding continued on their sophomore album Reign of Terror in 2012. Vocalist Alexis Krauss and guitarist Derek Edward Miller described the latter as “the sonic equivalent of a beautiful shotgun to the head”. Thats not a bad comparison, apart from the fact that Reign of Terror was also groomed to attract a larger audience. Whilst the album did reach a number 12 spot in the Billboard 200 in its opening week, it plummeted to number 78 in the second week and was completely forgotten in the weeks that followed. Maybe people just don’t like to buy music with shotguns to their heads, hmm? Continue reading
Author Archives: Wander Meulemans
Bill Callahan – Dream River (2013)
In ‘96 I was first confronted with the tormented voice of Bill Callahan, who was at that time still known as Smog. Indeed The Doctor Came at Dawn (1996) was a very nice lo-fi album, yet it wasn’t memorable either. What was memorable to me was Smog’s ’second single, ´Cold Blooded Old Times´ that came with the album Knock Knock (1999). Cold Blooded Old Times caused a vicarious sort of heartache to take over one’s mood. This was strengthened when the song appeared on soundtrack of High Fidelity (2000) that is all about heartaches, from a male’s perspective that is. Continue reading
Gregory Porter – Liquid Spirit (2013)
Lets face it, Gregory Porter is all about superlatives. With his impressive appearance and magnificent voice Porter is among today’s top jazz vocalists. Since the release of the debut album Water (2010) everything he touched turned into gold. Water was enthusiastically welcomed by the press and received a Grammy nomination in the Best Jazz Vocal Album category. In 2012 his sophomore release Be Good proved to be just as successful as its predecessor. Be Good was a number-one debut on the iTunes Jazz Album Chart and reached top ten positions on various other charts. Moreover Porter was honoured with another Grammy nomination for the single ‘Real Good Hands’. Recently I saw Gregory Porter perform on the North Sea Jazz Festival with the Metropole Orchestra and, to throw in another superlative, it was breathtaking. Porter is on a high, so there´s no surprise a new release in 2013 was on the stocks. Beforehand there was no reason for fans and critics to worry about quality of Liquid Spirit, for Indeed the brand “Gregory Porter“ already stands for high quality jazz and soul. I However am obliged to uphold a critical attitude to all that´s hyped and hip and therefore question if the towering achievements of Porter
don´t lead to a case of the Midas touch. Continue reading
Goldfrapp – Tales of Us (2013)
On several occasions Goldfrapp left fans of old empty handed. For those of you who don’t know, Goldfrapp once was famed for their darkish, icy and cinematic breakthrough album, Felt Mountain that was released more than a decade ago. A few years after this success Alison Goldfrapp and Will Gregory decided to radically change their focus to glam electronics and combined this with a ‘Lady Gagaish’ look and feel on stage. Personally I was startled by the contents of the successor Black Cherry (2003) but also secretly accepted this album to be my guilty pleasure of the year. That year I also noticed that I wasn’t alone in this. Black Cherry was sold in very large numbers and picked up by Coca-Cola, Nintendo and Armani who used Goldfrapp’s tunes for commercial purposes. Obviously this popularity led to a follow up album in 2005. Supernature was meant to be an extension of the previous success and flourished on many hot and sweaty dance floors around the world. Next up was Seventh Tree (2008), an album that slightly reassured me because its rationale was of a more delicate and tranquil nature. Did this foreshadow a return to the early years of Goldfrapp? Alas it didn’t, for on their fifth album was neglectable. On Head First (2010) Goldfrapp reverted themselves to catchy dance music. When you try and sum this up in one sentence one can only conclude that Goldfrapp’s discography is not one you need to aline chronologically. This summer he latest scion from the duo was released on Mute Records and to be honest, I don’t know what to expect anymore. Yet after more than a decade, my devotion to Felt Mountain is still strongly present so I’m willing to give it another shot. Continue reading
Earth Mk. II – Music For Mammals (2013)
Even when the name of your best friend is Jacco Gardner it’s kind of a bold decision to quote from Pink Floyd’s debut, The Piper At The Gates Of Dawn (1967) to grace your own debut album. Overconfident or not, Hugo van de Poel at least shows that he’s got a fine taste in music. From an early age he and Gardner listened to Syd Barett, The Zombies and Billy Nicholls. This eventually led to the band The Skywalkers that was a small hit in the Dutch freak scene. Hereafter both chaps decided to focus their attention onto their solo projects. Gardner’s Cabinet of Curiosities (2013) proved to be very successful leaving van de Poel outside the spotlights. That is, up until now. Because this month under the alias Earth Mk. II he released Music For Mammals on Excelsior Recordings. And guess what, Gardner acts as the album’s producer, so there is no surprise that Music For Mammals is all about sixties psych pop. Also Music For Mammals is the umpteenth psychedelics record this year and some courage is needed when entering this already full market. Yet courage is not the only prerequisite for success. Earth Mk. II needs to find a way to be distinctive from the others bands in this genre. And I wonder if there is any space left to do so. Continue reading
Bed Rugs – Rapids (2013)
You don’t have to be a Dudeist Priest to accept the fact that The Big Lebowski is rightfully one of the best cult movies ever made. The Big Lebowski is great on many levels, but most of all its terribly hilarious. The Belgian hard rock band The Porn Bloopers (consisting of Yannick Aerts, Stijn Boels, Arne Omloop and Noah Melis) would fully agree to this because a few years ago they decided to concurrently to change their style and band name. Musically they chose a more retro path towards sixties and seventies psychedelics pop. Also they changed their band name into Bed Rugs, as an ode to the pissed on rug that is regularly discussed in the movie. Without any doubt all of this would be much appreciated by The Dude. Bed Rugs ‘debuted’ with 8th Cloud in 2012 and blended the aforementioned psychedelics with a flavor of nineties indie rock. 8th Cloud was successful on a small scale. During the last months of 2012 the band withdraw themselves to an abandoned church to record a follow up EP. Businesswise this is a smart move because sixties psychedelics is once again hot among the public. However, today bands such as Deerhunter, Unknown Mortal Orchestra, Tama Impala and Jacco Gardner dominated this genre. With Rapids, Bed Rugs tries to grasp a piece of this cake. Continue reading
Friska Viljor – Remember Our Name (2013)
I have to admit that I walked out on my first Friska Viljor show in 2008. As far as I can recall I did so because I was filling up a half hour of dead time within the festival schedule. Furthermore my harsh judgment was that the band did not impress at all and seemed uninspired. At the time, many were cyced up for this indie rock formation from Sweden who had just released their catchy debut album Bravo! (2007). Bravo! was about lost love, drinking and nightly escapades. It got a great deal of positive reviews from around the globe that justified the aforementioned buzz. In the years that followed the band proved to be very energetic, producing three full albums that I , honestly, didn’t brother to listen. It took me five years bump into the band for the second time. And yet again I was standing in on a sunlit festival field. Only now the difference was that I stayed and discovered that their live performance very energetic. Also I discovered that earlier this year Friska Viljor released their fifth album with the title Remember Our Name. That’s quite a coincidence, or isn’t it? Continue reading
[Live Review] North Sea Jazz 2013, Ahoy Rotterdam
In many regards much about The Netherlands is small, yet this stereotype is not applicable when it comes to the amount of music festivals that are organized during the summertime. Each weekend, starting from June, the concert agenda is packed with festivals ranging from dance to rock, or maybe even better, both! One of the more prominent events is the annual jazz festival North Sea Jazz, that is currently taking place at the moment of writing. Are you new to North Sea Jazz? All right, here’s a very, very short introduction.
Continue reading
Nehedar – This Heart (2013)
Just for a brief moment the frontcover of This Heart (2013) will undoubtedly make you think of P.J. Harvey. Although the lead vocalist of Nehedar, Emilia Cataldo and P.J. Harvey both have a deep love for New York City the similarities also end about there. For instance, the well known autumnal raw voice of Harvey is in strong contrast with the voice of Cataldo, whose voice is far more polished and controlled. Additionally, almost everything what is known about Cataldo breaths of cultural diversity. Cataldo is based in the midst of the multicultural New York, comes from a culturally diverse family and also holds a degree in Jewish Mysticism. This all echoes through in the music of Nehedar. Because of the foregoing the band is often associated with the Israeli community in the United States but can’t be pinned down as an ethnic specialized band for electonica, indie-rock and jazz are frequently added to their music. This Heart is my first introduction to Nehedar though it must be said that the band are not new to the scene, for it’s already their sixth independently produced album. Continue reading
Sounds from the Dark Side top albums of 2013 (until now)
Hi folks, we’re almost halfway through 2013 and that’s why is time to give you a short overview of our favorite albums to this day. Continue reading
soundsfromthedarkside 