I have to say that the turmoil of 2016 had a strange effect on me, which in this case isn’t a good thing. Luckily The Shacks do offer some relief at this time of year which ultimately is not really strange… but still very likable. Continue reading →
Remember when you were totally pissed off when I didn’t review Deerhunter’s marvellous Monomania in 2013? Well, It’s looks like history is going to repeat itself because I am not reviewing the band’s latest release, Fading Frontier, either. Yes, again it’s a great indie rocker but there is more music around that deserves some attention right? Nadine Shah sophomore album, for example. So take a good look at the femme fatale artwork, count to ten or whatever and read on. Continue reading →
Although it’s always difficult to pin down a musical year in a few words a lot of critics do it anyway. Thus, we can’t stay behind on that, can we? However, before we end 2014 in style, let us loosely say we enjoyed working in the dark to serve you the reviews of the music we like and that nothing is true and yes, … everything is permitted.
Hey y’all, summer solstice lies behind us so it’s time to saw the year in half. These are our top albums of 2014 until now and in no apparent order. Metal, Latin, Hip Hop-Jazz, Western funeral march music… we’ve got it all! Continue reading →
Transforming Goya’s painting Duelo a garrotazos into an epic noir rock track is one of Elysian Fields most notable milestones to date. After hearing it for the first time, Jennifer Charles’ lingering voice got me swamped as well. Charles’ sleepwalking and somber style is the band’s biggest strength and trademark. For House Cats And Sea Fans therefore contains more of the same delightful romanticism, and, frankly, that’s not a bad thing at all.