Although the title of the latest Lips suggests otherwise, there is actually nothing to be afraid of. That is, if you’re familiar with their work during the last few years. If so, take a breath and keep your calm because once more the band shifts their paradigm, this time to weighty ambient. The well-known theatrical freak pop seem to be a thing of the past, for The Terror is breathtaking hypnotizing, subdued and hazy at the same time. But above all, it’s almost impossible to deconstruct for those who lost their interest in the band since Yoshimi Battles The Pink Robots (2002). If this is the case, feelings of fear are in place, for an unpleasant surprise will probably await you. Continue reading →